<?xml version="1.0"?>
<!DOCTYPE issue SYSTEM "spectator.dtd">
<?xml-stylesheet href="spectator.xsl" type="text/xsl"?>
<?cocoon-process type="xslt"?>
<issue>
<title>The Spectator 244</title>
<header>
  <number>no. 244</number>
  <date>1711-12-10</date>
  <author>Richard Steele</author>
  <quotation>-----Judex et callidus audis.-Hor.</quotation>
  <translation>Hor. 2 Sat. vii. 101.</translation>
  <translation>A judge of painting you, a connoisseur.</translation>
  </header>
<text>
<paragraph><italic>Mr.</italic> SPECTATOR, <italic>Covent-Garden, Dec.</italic> 7.</paragraph>
<paragraph>I CANNOT, without
a double Injustice, forbear expressing to you the Satisfaction
which a whole Clan of Virtuosos have received from those Hints
which you have lately given the Town on the Cartons of the
inimitable <italic>Raphael.</italic><footnote name="(1)" url="../december_footnotes/footnote244.xml"></footnote> It should be methinks the Business of a
SPECTATOR to improve the Pleasures of Sight, and there cannot be a
more immediate Way to it than recommending the Study and
Observation of excellent Drawings and Pictures. When I first went
to view those of <italic>Raphael</italic> which you have celebrated, I must confess
I was but barely pleased; the next time I liked them better, but at
last as I grew better acquainted with them, I fell deeply in love
with them, like wise Speeches they sunk deep into my Heart; for you
know, <italic>Mr.</italic> SPECTATOR, that a Man of Wit may extreamly affect one for
the Present, but if he has not Discretion, his Merit soon vanishes
away, while a Wise Man that has not so great a Stock of Wit, shall
nevertheless give you a far greater and more lasting Satisfaction:
Just so it is in a Picture that is smartly touched but not well
studied; one may call it a witty Picture, tho' the Painter in the
mean time may be in Dagger of being called a Fool. On the other
hand, a Picture that is thoroughly understood in the Whole, and
well performed in the Particulars, that is begun on the Foundation
of Geometry, carried on by the Rules of Perspective, Architecture,
and Anatomy, and perfected by a good Harmony, a just and natural
Colouring, and such Passions and Expressions of the Mind as are
almost peculiar to <italic>Raphael;</italic> this is what you may justly style a
wise Picture, and which seldom fails to strike us Dumb, till we can
assemble all our Faculties to make but a tolerable Judgment upon
it. Other Pictures are made for the Eyes only, as Rattles are made
for Childrens Ears; and certainly that Picture that only pleases
the Eye, without representing some well-chosen Part of Nature or
other, does but shew what fine Colours are to be sold at the
Colour-shop, and mocks the Works of the Creator. If the best
Imitator of Nature is not to be esteemed the best Painter, but he
that makes the greatest Show and Glare of Colours; it will
necessarily follow, that he who can array himself ill the most
gaudy Draperies is best drest, and he that can speak loudest the
best Orator. Every Man when he looks on a Picture should examine it
according to that share of Reason he is Master of, or he will be in
Danger of making a wrong Judgment, If Men as they walk abroad would
make more frequent Observations on those Beauties of Nature which
every Moment present themselves to their View, they would be better
Judges when they saw her well imitated at home: This would help to
correct those Errors which most Pretenders fall into, who are over
hasty in their Judgments, and will not stay to let Reason come in
for a share in the Decision, 'Tis for want of this that Men mistake
in this Case, and in common Life, a wild extravagant Pencil for one
that is truly bold and great, an impudent Fellow for a Man of true
Courage and Bravery, hasty and unreasonable Actions Enterprizes of
Spirit and Resolution, gaudy Colouring for that which is truly
beautiful, a false and insinuating Discourse for simple Truth
elegantly recommended. The Parallel will hold through all the Parts
of Life and Painting too; and the virtuosos above-mentioned will be
glad to see you draw it with your Terms of Art. As the Shadows in
Picture represent the serious or melancholy, so the Lights do the
bright and lively Thoughts: As there should be but one forcible
Light in a Picture which should catch the Eye and fall on the Hero,
so there should be but one Object of our Love, even the Author of
Nature. These and the like Reflections well improved, might very
much contribute to open the Beauty of that Art, and prevent young
People from being poisoned by the ill Gusto of an extravagant
Workman that should be imposed upon us.</paragraph>
<paragraph><italic>I am, SIR, Your most humble Servant.</italic></paragraph>
<paragraph><italic>Mr.</italic> SPECTATOR,</paragraph>
<paragraph>Though I am a Woman, yet I am one of those
who confess themselves highly pleased with a Speculation you
obliged the World with some time ago,<footnote name="(2)" url="../december_footnotes/footnote244.xml"></footnote> from an old <italic>Greek</italic> Poet
you call <italic>Simonides,</italic> in relation to the several Natures and
Distinctions of our own Sex. I could not but admire how justly the
Characters of Women in this Age, fall in with the Times of
<italic>Simonides,</italic> there being no one of those Sorts I have not at some
time or other of my Life met with a Sample of. But, Sir, the
Subject of this present Address, are a Set of Women comprehended, I
think, in the Ninth Specie of that speculation, called the Apes;
the Description of whom I find to be, That they are such as are
both ugly and ill-natured, who have nothing beautiful themselves,
and endeavour to detract from or ridicule every thing that appears
so in others. Now, Sir, this Sect, as I have been told, is very
frequent in the great Town where you live; but as my Circumstance
of Life obliges me to reside altogether in the Country, though not
many Miles from <italic>London,</italic> I can't have met with a great Number of
'em, nor indeed is it a desirable Acquaintance, as I have lately
found by Experience. You must know, Sir, that at the Beginning of
this Summer a Family of these Apes came and settled for the Season
not far from the Place where I live. As they were Strangers in the
Country, they were visited by the Ladies about 'em, of whom I was,
with an Humanity usual in those that pass most of their Time in
Solitude. The Apes lived with us very agreeably our own Way till
towards the End of the Summer, when they began to bethink
themselves of returning to Town; then it was, <italic>Mr.</italic> SPECTATOR, that
they began to set themselves about the proper and distinguishing
Business of their Character; and, as 'tis said of evil Spirits,
that they are apt to carry away a Piece of the House they are about
to leave, the Apes, without Regard to common Mercy, Civility, or
Gratitude, thought fit to mimick and fall foul on the Faces, Dress,
and Behaviour of their innocent Neighbours, bestowing abominable
Censures and disgraceful Appellations, commonly called Nicknames,
on all of them; and in short, like true fine Ladies, made their
honest Plainness and Sincerity Matter of Ridicule. I could not but
acquaint you with these Grievances, as well at the Desire of all
the Parties injur'd, as from my own Inclination. I hope, Sir, if
you can't propose entirely to reform this Evil, you will take such
Notice of it in some of your future Speculations, as may put the
deserving Part of our Sex on their Guard against these Creatures;
and at the same time the Apes may be sensible, that this sort of
Mirth is so far from an innocent Diversion, that it is in the
highest Degree that Vice which is said to comprehend all others.<footnote name="(3)" url="../december_footnotes/footnote244.xml"></footnote></paragraph>
<paragraph><italic>I am, SIR, Your humble Servant,</italic></paragraph>
<paragraph>Constantia Field.</paragraph>
<paragraph>T.</paragraph>

<paragraph>1. In No.226. Signor Dorigny's scheme was advertised in Nos. 205, 206, 207, 208, and 210.</paragraph>
<paragraph>2. No. 209.</paragraph>
<paragraph>3. Ingratitude. Ingratum si dixeris, omnia dixeris.</paragraph>
</text>
</issue>
