<?xml version="1.0"?>
<!DOCTYPE issue SYSTEM "spectator.dtd">
<?xml-stylesheet href="spectator.xsl" type="text/xsl"?>
<?cocoon-process type="xslt"?>
<issue>
<title>The Spectator 221</title>
<header>
  <number>no. 221</number>
  <date>1711-11-13</date>
  <author>Joseph Addison</author>
  <quotation>--------Ab Ovo</quotation>
  <quotation>Usque ad Mala------- Hor.</quotation>
  <translation>Hor. Sat. 1. 3. 6-7.</translation>
  <translation>From eggs, which first are set upon the board,</translation>
  <translation>To apples ripe, with which it last is stored.</translation>
  </header>
<text>
<paragraph>WHEN I have finished any of my Speculations, it
is my Method to consider which of the ancient Authors have touched
upon the Subject that I treat of. By this means I meet with some
celebrated Thought upon it, or a Thought of my own expressed in
better Words, or some Similitude for the Illustration of my
Subject. This is what gives Birth to the Motto of a Speculation,
which I rather chuse to take out of the Poets than the
Prose-writers, as the former generally give a finer Turn to a
Thought than the latter, and by couching it in few Words, and in
harmonious Numbers, make it more portable to the Memory.</paragraph>
<paragraph>My Reader is therefore sure to meet with at least one good Line in every
Paper, and very often finds his Imagination entertained by a Hint
that awakens in his Memory some beautiful Passage of a Classick
Author.</paragraph>
<paragraph>It was a Saying of an ancient Philosopher, which I find
some of our Writers have ascribed to Queen <italic>Elizabeth,</italic> who perhaps
might have taken occasion to repeat it, That a good Face is a
Letter of Recommendation.<footnote name="(1)" url="../november_footnotes/footnote221.xml"></footnote>  It naturally makes the Beholders
inquisitive into the Person who is the Owner of it, and generally
prepossesses them in his Favour. A handsome Motto has the same
Effect. Besides that, it always gives a Supernumerary Beauty to a
Paper, and is sometimes in a manner necessary when the Writer is
engaged in what may appear a Paradox to vulgar Minds, as it shews
that he is supported by good Authorities, and is not singular in
his Opinion.</paragraph>
<paragraph>I must confess, the Motto is of little Use to an
unlearned Reader, for which Reason I consider it only as a <italic>Word to
the Wise.</italic> But as for my unlearned Friends, if they cannot relish
the Motto, I take care to make Provision for them in the Body of my
Paper. If they do not understand the Sign that is hung out, they
know very well by it, that they may meet with Entertainment in the
House; and I think I was never better pleased than with a plain
Man's Compliment, who, upon his Friend's telling him that he would
like the <italic>Spectator</italic> much better if he understood the Motto, replied,
<italic>That good Wine needs no Bush.</italic></paragraph>
<paragraph>I have heard of a Couple of Preachers
in a Country Town, who endeavoured which should outshine one
another, and draw together the greatest Congregation. One of them
being well versed in the Fathers, used to quote every now and then
a <italic>Latin</italic> Sentence to his illiterate Hearers, who it seems found
themselves so edified by it, that they flocked in greater Numbers
to this learned Man than to his Rival. The other finding his
Congregation mouldering every <italic>Sunday,</italic> and hearing at length what
was the Occasion of it, resolved to give his Parish a little <italic>Latin</italic>
in his Turn ; but being unacquainted with any of the Fathers, he
digested into his Sermons the whole Book of <italic>Qu&#230; Genus,</italic> adding
however such Explications to it as he thought might be for the
Benefit of his People. He afterwards entered upon <italic>As in pr&#230;senti,</italic><footnote name="(2)" url="../november_footnotes/footnote221.xml"></footnote>
which he converted in the same manner to the Use of his
Parishioners. This in a very little time thickned his Audience,
filled his Church, and routed his Antagonist.</paragraph>
<paragraph>The natural Love to
<italic>Latin</italic> which is so prevalent in our common People, makes me think
that my Speculations fare never the worse among them for that
little Scrap which appears at the Head of them; and what the more
encourages me in the Use of Quotations in an unknown Tongue is,
that I hear the Ladies, whose Approbation I value more than that of
the whole Learned World, declare themselves in a more particular
manner pleased with my <italic>Greek</italic> Mottos.</paragraph>
<paragraph>Designing this Day's Work for
a Dissertation upon the two Extremities of my Paper, and having
already dispatch'd my Motto, I shall, in the next place, discoursd
upon those single Capital Letters, which are placed at the End of
it, and which have afforded great Matter of Speculation to the
Curious. I have heard various Conjectures upon this Subject. Some
tell us that C is the Mark of those Papers that are written by the
Clergyman, though others ascribe them to the Club in general: That
the Papers marked with R were written by my Friend Sir ROGER: That
L signifies the Lawyer, whom I have described in my second
Speculation; and that T stands for the Trader or Merchant: But the
Letter X, which is placed at the End of some few of my Papers, is
that which has puzzled the whole Town, as they cannot think of any
Name which begins with that Letter, except <italic>Xenophon</italic> and <italic>Xerxes,</italic> who
can neither of them be supposed to have had any Hand in these
Speculations.</paragraph>
<paragraph>In Answer to these inquisitive Gentlemen, who have
many of them made Enquiries of me by Letter, I must tell them the
Reply of an ancient Philosopher, who carried something hidden under
his Cloak. A certain Acquaintance desiring him to let him know what
it was he covered so carefully; <italic>I cover it,</italic> says he, <italic>on purpose
that you should not know.</italic> I have made use of these obscure Marks
for the same Purpose. They are, perhaps, little Amulets or Charms
to preserve the Paper against the Fascination and Malice of evil
Eyes; for which Reason I would not have my Reader surprized, if
hereafter he sees any of my Papers marked with a Q, a Z, a Y, an
&#38;c., or with the Word <italic>Abracadabra.</italic><footnote name="(3)" url="../november_footnotes/footnote221.xml"></footnote></paragraph>
<paragraph>I shall, however, so far
explain my self to the Reader, as to let him know that the Letters,
C, L, and X, are Cabalistical, and carry more in them than it is
proper for the World to be acquainted with. Those who are versed in
the Philosophy of <italic>Pythagoras,</italic> and swear by the <italic>Tetrachtys,</italic><footnote name="(4)" url="../november_footnotes/footnote221.xml"></footnote>
that is, the Number Four, will know very well that the Number <italic>Ten,</italic> which
is signified by the Letter X, (and which has so much perplexed the
Town) has in it many particular Powers; that it is called by
Platonick Writers the Complete Number; that One, Two, Three and
Four put together make up the Number Ten; and that Ten is all. But
these are not Mysteries for ordinary Readers to be let into. A Man
must have spent many Years in hard Study before he can arrive at
the Knowledge of them.</paragraph>
<paragraph>We had a Rabbinical Divine in <italic>England,</italic> who
was Chaplain to the Earl of Essex in Queen <italic>Elizabeth's</italic> Time, that
had an admirable Head for Secrets of this Nature. Upon his taking
the Doctor of Divinity's Degree, he preached before the University
of <italic>Cambridge,</italic> upon the <italic>First</italic> Verse of the <italic>First</italic> Chapter of the
<italic>First</italic> Book of <italic>Chronicles,</italic> in which, says he, you have the three
following Words,</paragraph>
<quotation><italic>Adam, Sheth, Enosh.</italic></quotation>
<paragraph>He divided this short Text
into many Parts, and by discovering several Mysteries in each Word,
made a most Learned and Elaborate Discourse. The Name of this
profound Preacher was Doctor <italic>Alabaster,</italic> of whom the Reader may find
a more particular Account in Doctor <italic>Fuller's</italic> Book of <italic>English</italic>
Worthies.<footnote name="(5)" url="../november_footnotes/footnote221.xml"></footnote> This Instance will, I hope, convince my Readers that
there may be a great deal of fine Writing in the Capital Letters
which bring up the Rear of my Paper, and give them some
Satisfaction in that Particular. But as for the full Explication of
these Matters, I must refer them to Time, which discovers all
things.</paragraph>
<paragraph>C.</paragraph>

<paragraph>1. Diogenes Laertius, Bk. V. ch. I.</paragraph>
<paragraph>2.  'Quae Genus' and
'As in Praesenti' were the first words in collections of rules then
and until recently familiar as part of the standard Latin Grammar,
Lilly's, to which Erasmus and Colet contributed, and of which
Wolsey wrote the original Preface.</paragraph>
<paragraph>3.  Abraxas, which in Greek
letters represents 365, the number of the deities supposed by the
Basilidians to be subordinate to the All Ruling One, was a mystical
name for the supreme God, and was engraved as a charm on stones
together with the figure of a human body (Cadaver), with cat's head
and reptile's feet. From this the name Abracadabra may have arisen,
with a sense of power in it as a charm. Serenus Sammonicus, a
celebrated physician who lived about A.D. 210, who had, it is said,
a library of 62,000 volumes, and was killed at a banquet by order
of Caracalla, said in an extant Latin poem upon Medicine and
Remedies, that fevers were cured by binding to the body the word
Abracadabra written in this fashion:
<quotation>Abracadabra</quotation>
<quotation>Abracadabr</quotation>
<quotation>Abracadab</quotation>
<quotation>Abracada</quotation>
and so on, till there remained only the initial
A. His word was taken, and this use of the charm was popular even
in the Spectator's time. It is described by Defoe in his' History
of the Plague.'</paragraph>
<paragraph>4. The number Four was called Tetractys by the
Pythagoreans, who accounted it the most powerful of numbers,
because it was the foundation of them all, and as a square it
signified solidity. They said it was at the source of Nature, four
elements, four seasons, &#38;c., to which later speculators added
the four rivers of Paradise, four evangelists, and association of
the number four with God, whose name was a mystical Tetra
grammaton, Jod, He, Vau, He.</paragraph>
<paragraph>5. Where it is explained that Adam meaning Man; Seth; placed; and Enosh,
Misery: the mystic inference is that Man was placed in Misery.</paragraph>
</text>
</issue>
